![]() ![]() When the cylinder is played back, the strains of the African musician's instrument emerge part-way through Bartók's performance and gradually overtake the sound of the piano, producing the effect of an inadvertent duet between Bartók and his ethnographic subject. Sitting at the piano in his home one day in 1915, Bla Bartk. Romanian Folk Dances (Violin and Cello) 12.28 11.99 Violin, Cello (duet) Bela Bartok Emily Gray Emily Gray. Performance Style in Early Recordings of. During the production of the ethnographic recording in Africa, however, the grooves of the stylus had cut deeply into the wax, and, as a result, the vibrations caused by Bartók's piano playing were not strong enough to eclipse the other sounds on the cylinder. Digital sheet music (Instant access after purchase) Search on 'Romanian Folk Dances' in Violin, Violoncello. Bartók selected a cylinder he had used in 1913 to capture the sounds of a string player during a trip to North Africa, with the intention of recording over this earlier performance. BARTOK ROMANIAN FOLK DANCES VIOLIN PDF Romanian Folk Dances (orchestra), Sz (Bartók, Béla) string ensemble. Sitting at the piano in his home one day in 1915, Béla Bartók used a wax cylinder phonograph to record himself playing Romanian Folk Dances, which he had recently composed on the basis of melodies collected during his ethnographic research in Transylvania over the previous three years. ![]()
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